dealing with the boycott

If you haven't heard yet, the Canadian Writers Group and the Professional Writers Association of Canada are urging all freelancers to boycott Transcontinental over the company's refusal to make amendments to its master contract.

My heart goes out to all the editors at the Transcon publications who will have to hunt harder for contributors, or have to take on extra work to meet their deadlines. It's a horrible position to be in. Editors are the writers' connection to a magazine, and often the writers' biggest advocates, and unfortunately they are the ones who will hurt most from this action.

Transcon editors, how do you plan to cope? Do you think it will affect you much? Have you had any writers speak to you about the boycott yet? Have there been discussions in the office to develop a strategy? Will you be taking on more work yourself?

Non-Transcon editors, chime in too: how would you cope?

how much?

A few weeks ago, I was speaking to a friend about a freelance proofreading gig she was applying for. What got me was that the publication she was dealing with requested that she keep in mind that they were a small operation with a limited budget, and should quote her rate accordingly. Essentially, they were pressuring her to reduce her rates. My advice to her: Quote your usual rate (or slightly above), letting them know that you're willing to negotiate (provided that you are, in fact, willing to). This establishes the worth of your work while signalling that you are flexible. It's also a good idea to decide what your minimum is before beginning negotiation; you'll be mentaly prepared to walk away if they're unwilling to pay a fair amount.

what do I charge?

Curious as to how much your work is worth? One handy resource is the What To Pay a Writer page on the Professional Writers Association of Canada website.